Tag Archives: Indian Painting
Historical Paintings of Srirangapanta- A Stylistic Study of Veena Shekar
Research tell us that historical paintings are said to be the greatest form of art world right next to the work of religious paintings. Noticeably, there are different forms of paintings (figurative paintings in particular) which explicitly explain legendary or historic incidents in an intentionally grand manner. These paintings rely on themes for instance depiction of a war scene, political motivation, political events or a revolution. A portrait of a ruler or an emperor could also be known as a historical painting. Therefore, a well-designed historical painting is preferably resplendent in costume, color, action and drama.
Learn the Exceptionality of Srirangapanta
The objectives for the study of this worth reading book by Veena Shekar cover the area of doctoral thesis especially of the author. The author discovers the development of famous historical paintings and illustrates the study of cultural, social, artistic and political background of India in 18th century. An elaborated discovery of Daria Daulat Bagh paintings in Srirangapanta was undertaken and the construction of influences and styles on the paintings were traced.
Devotion of Author Towards the Engaging Book
Most inspiring quality of the author is she has gathered amazing information by personally exploring all the essential sites written in the book. Archives and museums in London and France own important paintings which are present in the very first chapter of the book. Several appealing sites of Karnataka involving mural paintings have been dedicatedly visited and information was collected stating their style and date of painting. Every fascinating painting regarding the study was personally photographed and examined by visiting the site.
Uniqueness Embedded in Historical Paintings of Srirangapanta
Unluckily, it is hard to deduce the style of paintings that govern the entire book of Veena Shekar. The painters were said to be native and most expectedly, they belonged to artists family who had migrated from Vijayanagar to Srirangapanta after its decline. In order to understand the highly attractive Persian paintings, the author set off a journey to Iran searching data that could highlight the styles of Daria Daulat Bagh paintings. The data summoned added a new angle for the eye opening study of paintings. Through majestic research, comparative analyses of paintings were drawn out focusing on regions penetrating to political issues, language, and literature and culture surroundings of the era.
Mind Blowing Compilation of the Book
Analytically, the book offers an influencing understanding and analysis of certain issues that were kept in the dark unanswered in evaluating Tipu’s place in Karnataka history. This book “Historical paintings of Srirangapanta- A stylistic Study” is an honest effort without any biases involved, understanding life and its aspects, predilection and contacts created by Tipu in the time of his journey as the ruler. He portrayed his interests through one most exciting medium known as “painting”. To the author’s good fate, she came across the imaginative state of mind possessed by Tipu. His personal or political interest and his followers in other countries. The relations of Tipu with feudatories are mentioned through investigation of paintings.
Historical Marvels of Veena Shekar Creation
Speaking of Daria Daulat Bagh situated in Srirangapanta consists of the biggest mural placed in India representing a historical event in action. Portraying an entire battle scene from the history of city Mysore, such paintings are considered unique in many ways. They are described as the first ever visual record of Polillur battle in which the successful emperor of Mysore Tipu Sultan fought and defeated the British. Also, the introduction to western concepts, new tools and new trends of art world opened in on the Indian art scenario compelling for an engrossing deviation for the readers.
All About the Extraordinarily Remarkable Author-Veena Shekar
Basically, Dr. Veena Shekar is a consultant and an art historian who ministers art camps and shows in Bangalore. The outstandingly magnificent historical paintings of Srirangapanta was her doctoral thesis on which Veena Shekar was deservingly awarded PhD by the university of Bangalore in year 2002. The affluent and accomplished woman is the Director of Art research, Sameeksha and Media. The sincerely respectable Veena Shekar had made up a gripping website on Indian art world known as www.chitralakshana.com. Her background tells us that she was a part of the faculty at Dept of visual arts teaching history of art in Bangalore University. Veena Shekar currently resides in Bangalore and works on a senior level for the Ministry of Culture in New Delhi.
A Brief History on Evolutionary Art- Madhubani Painting
Mithali region rests in Bihar, India where the Sita of Ramayana was born. It was surrounded by the hills of Himalayas and rivers of Ganga, Kosi and Gandal present in the south, west and east respectively. Centuries have passed and the most glorious and everlasting tradition in the name of art have been created by the people of Mithali. Emphatically, the art was known as the Madhubani painting.
How Madhubani Painting or Mithila Painting Got Recognized
Madhubani paintings also called Mithila painting was a domestic ritual work, unfortunately not aware to the existing world outside till the massive earthquake in Bihar took place in 1934. In the year 1960, a second natural destruction of a deadly draught occurred which provoked the All India Handicrafts Board to motivate a couple of upper class women residing in villages somewhere around Madhubani town. They encouraged them to transfer their skills of ritual paintings on paper as a source of income.
How Madhubani Painting Became a Source of Income for Madhubani Town
Painting on contrasting “color painting” and “line painting” traditions including their individual capabilities, many women turned out to be mind blowing artists. Speaking of the height of poverty, several painters agreed upon the dealer’s demands and produced repetitious paintings powerfully known as the Madhubani painting. Such images had been greatly popular in India for its rich and strong cultures and various scholars, poets and theologians. Analyzing this evolution of an art form critically, women got the opportunity to expose their hidden talent and skills which were confined just to their homes and household chores.
The Awe Inspiring Traditional Madhubani Art
Traditionally, this art is basically rural art which has been practiced by only women who beautifully decorate their huts on important religious occasions or events. Currently, men also adopted this unique form of art and paintings which are preferably done on canvas, paper, cloth etc. But the fact states that women around Madhubani in the villages have been efficiently practicing their self made art for centuries.
How Madhubani Artists Got Recognized
Inquisitively, the world largely acknowledged the existence of these influential women and considered them honorably as “artists” since the previous thirty years. It has been explored that their wonders remain anonymous. A few illiterate women are hesitant to recognize themselves as intellectual workers of madhubani art and only the ones in minority express their paintings and themselves with their own identities.
Magical Colors of Madhubani Paintings
The amenity of colors used in madubani paintings were extracted traditionally from natural resources such as ochre, charcoal soot, plants and many more. Peculiarly, black color is derived by the blend of soot with cow dung. The vibrant yellow color has been originated from lime or pollen or turmeric. Blue comes from indigo. Red is derived from rose, red sandalwood or Kusum flower juice. White is taken out from powder of rice whereas green arrives from apple trees in, their leaves in particular and orange from the famous flowers known as palasha flowers.
Depiction of Mystic Madhubani Charm
The awesomely great madhubani paintings represent the Hindu religious motifs and nature along with the themes which generally revolve around the top famous Hindu supreme beings like Rama, Krishna, Durga, Lakshmi, Shiva, and Saraswati. Natural existing beings such as the moon, sun and religious sources for instance Tulsi are also rapidly painted accompanied with sceneries from socially created events such as weddings and also royal courts.
Main Technique of Madhubani Painting
Generally speaking, the overall appearance hardly contains empty spaces. Even if there are gaps present, it’s admirably filled with pleasant blooming designs of animals, flowers, birds and geometric patterns as well.
The Amusing Tricks to Design Madhubani Painting
You will be in full spirit to inform yourself about the joyful tricks and tips to design the enthusiastically lovely madhubani painting. Here goes the amusing techniques or methods:
1- Select the design which is bright and colorful to Paint Madhubani Painting
It is usually observed that traditionally there are typical colors used such as green, orange and red but you can always add and recommend colors of your own like purple, pink or blue in order to make it strongly attractive and magnetically elegant to the eye.
2- Opt the design which can be easily made
Preferably, the pattern of the design should be expressed vividly and is well defined.
3- Trace the design you have chosen appropriately
Pointedly, if the design is not traced carefully, then the appearance of your painting will not have depth and it will come as a great disappointed causing the artist into trouble afterwards. You have the right as well as choice to make amendments in designs like sculpting the face or features of face in a way that owns the power to arouse the viewer s attention. Interestingly, if one observes keenly, it can be clearly predicted that the paintings of Madhubani don not contain sharp features.
4- Be conscious in choosing the theme for Madhubani Painting
If you plan to design one or more than one painting then chooses a convincing theme which draws the attention of majority for instance, theme of Krishna will be satisfying as his paintings possess a certain situation or meaning or symbol attached to it.
5- Never restrict yourself
If you are finding difficulties in painting then don’t back out, simply go for making lovely table mats, bookmark, and card with Madhubani and just laminate them conveniently.
6- Addition of lively borders is a must in Madhubani Painting
Make sure that you present your painting with a beautiful border. It will highlight your painting making it pleasantly adoring and eye catching to all.
Five Stupendously Marvelous Facts on Madhubani Paintings
1- The remarkably heart touching madhubani art is practiced in Madhubani regions of Bihar. The literal meaning of Madhubani is “forests of honey.”
2- This terrific art was practiced and flourished by women specifically. They devotedly worked on their folk art not for years but for centuries yet, surprisingly, some of them are reluctant to expose themselves as accomplished artists.
3- The fascination strikes when people got to know about the first foreign outsider who interestedly documented the whole tradition of madhubani paintings. These were Mildred and William archer. They respectfully took some work of Madhubani to office in London which is now a part of British library where a small number of experts study and adore the antique creativity of India’s folk art. Moreover, the major economic and ecological crisis forced the highly talents women artists to start working on their own in order to stabilize the situation.
4- The strikingly fabulous colors used were generated from natural sources such as charcoal soot, ochre and plants.
5- Madhubani paintings depict the Hindu culture and tradition through their motifs and charming themes which mainly revolved around their divine Gods such as Krishna.
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Brief History of Indian Painting
History of Indian painting exposes the wonderfully created artistic facts preserved on rocks and known as “rock paintings” in the prehistoric times. Looking eras back at the time of petro glyphs, which were explored in areas like Bhimbetka, and it will be shocking to know that certain paintings are present in 5500BC. Works of that sort continued till a long lengthy time until the 7th century arrived and manifested pillars carved of Ellora put forward, an astonishingly unbelievable period of Indian paintings. Undoubtedly, Indian painting flourished over centuries and ultimately it leaded to the mixture of several different traditions and cultures.