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One might think about my nephew and Ms. Riitta-Berliner-Mauer as opposing instances.?

The object is sexy precisely because it is not human, not soft and full of liquids, but instead hard, hard, hard—though also a bit porous in the first instance, objects must evince features signaling humanness—faces, mouths, voices—to be considered animate; in objectophilia.

But both instances are about items arriving at a new way life in regards to their counterparties—subjects, individuals, wetware. Nevertheless, both are about topics engaging with items, whoever brand new status is simply related to them because of the previous. The new charm of things is rooted in their being seen as things, which begins when they are no longer objects for subjects in Jane Bennett’s view, by contrast. 4 They then become available not merely for animist animation and desire that is sexual also for a 3rd relation: as items of recognition, as avenues toward what’s fundamentally a de-animation, a kind of de-subjectivation or critical problem of subjectivation. Continue reading